In his speech on the pleasure of defecation (‘En faveur de la felicité chiatique’ – see previous post, ‘Hang four hams from a peg’), the early seventeenth-century comedian known as Bruscambille claims that the joy of crapping is greater than that of sex because:
‘one can breathe the air easily for a month, a year, even to the very brink of the tomb, without it being necessary to shake the feminine tree, to get fruit, but it’s entirely impossible to stop oneself going for a crap, because it is such a pleasure that if we are deprived of it for five or six days, we may as well put our boots on to travel speedily to the other side, for it is in such harmony with life, that the one cannot survive without the other.’
One of the main jokes of a speech like this, an ancient genre technically known as a mock encomium, or praise of something normally deemed unworthy of praise, is to use the most elaborate language and argument for the most ignoble of subjects. Dominic Hills’s print of this image, ‘Locher l’arbre fœminin pour en avoir du fruict’ (‘To shake the feminine tree to get fruit’), is similarly elaborate, a three-dimensional animated woodprint with moving parts:
Other recent examples of such prints are in the gallery and may well be appearing as a dedicated, indeed unique, art app in the not too distant future.